Exhibitions History

2021

Arches Premium art papers, since 1492

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StaleyWise exhibition sweet-dreams

www.staleywise.com/exhibitions/sweet-dreams/works?view=slider#14

The Reflected Eye
pwpl.org/reflected-eye/denis-piel


2018
Philips & the Soil Association
Phillips, 30 Berkeley Square, London W1J 6EX. Feb 2018

www.phillips.com/auctions/auction/EX040118

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DOWN TO EARTH flipbook:

See:
www.denispiel-downtoearth.com

DOWN TO EARTH Showcases sustainable and regenerative organic farming that is practised at Denis Piel’s home at Les Jardins du Chateau de Padies, as well as by the carvings on the Chateau Renaissance facades of ancient Greek mythological figures depicting fertility and abundance. Fertility and abundance feature heavily across these storyscapes, instilling them with an authentic sense of erotic, challenging beauty.

“The health of soil, plant, animal and man is one and indivisible.”

Lady Eve Balfour, Soil Association founder

2017
FILM STILLS. Fashion Photography.
Lumière Brothers Center of Photography, Moscow

The exhibition focuses on the 1980s –– highlighting his innovative cinematic approach to fashion photography.

lumierephoto.ru/en/exhibitions/denis-piel-film-stills-fashion-photography-by-denis-piel/

I designed the book FILMSCAPES when Lumiere Brothers Center for Photography in Moscow approached me to have an exhibition focusing on my fashion work. I looked at the various Exhibitions that followed after the publication of MOMENTS and thought this would be an excellent opportunity to show my process in an Exhibition-form. Seduced by the idea “FILM STILLS – FASHION PHOTOGRAPHY by denis piel” became a reality. It was a resounding success.

The book FILMSCAPES published in 2020


The exhibition focuses on the 1980s –– highlighting his innovative cinematic approach to fashion photography.

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Filmscapes flipbook

2012
MOMENTS book signing at Staley Wise Gallery USA.

These photographs date from 1979 to 2007.

My earlier work jettisoned overboard when the ship transporting my possessions to New York caught in a storm at sea.

The images in this book represent a cross-section of my personal and editorial work since that time. Sometimes the most interesting image is the one you don’t see, what happened before and after the frame. But that comes from the imagination of the viewer.

Denis Piel has an obsession with the language of the body. Call it entanglement. With his distinctive eye, he takes the familiar and turns it into another understanding. Seduction and sensuality it is, but never thin in thought. When I was working with Denis, I was fascinated with his direction when shooting an image. He seemed to want to capture the off-moment. Awkwardly positioning the body—not necessarily familiar but also never vulgar. Was it daring? No—it was interesting. It was different, honest, and a reality particular to Denis. We are talking about a very sophisticated eye.

It comes from an awareness of life. His pictures are never cold—sometimes cinematic—always hands-on, and, for me, captivating.
POLLY MELLEN

December 2011

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2013
ESSENCE, Rove Gallery, London. The UK.
Rove Gallery London, Lincoln House, 33-34 Hoxton Square, London N1 6NN

www.roveprojects.com/DP-index.html

DENIS PIEL
ESSENCE

Essence, a solo show by photographer and filmmaker denis piel

ROVE Gallery, Hoxton Square, London N1 6NN

April 4th 2013 to April 27th 2013

essence (noun) the intrinsic nature or indispensable quality of something, especially something abstract, which determines its character

The exhibition investigates reoccurring thematic concerns within the photographer’s practice, articulating his search for the elemental, authentic qualities in all that he shoots.

Kenny Schachter/ROVE presents ESSENCE, a solo show by photographer and filmmaker Denis Piel, which gives a selection of images that offer an articulation of his search within his practice for essential and authentic.

Rising to prominence in the 1980s in the field of fashion photography, Piel became renowned for producing edgy, sensual images by playing with the idea of physical need in parallel with desire.

Piel stripped back the ephemeral within personal projects, seeking to capture what he terms a ‘real’ moment.

Essence presents images from his commercial work and personal projects which deconstruct critical components of the fashion image: the garment, the body, the face, the location.

Irrespective of the context in which Piel has produced photographic images, his work’s abiding essence is a celebration of the sensual, a celebration of the body.

PRESS; https://vimeo.com/77639589

2013
MOMENTS exposition Galerie PINXIT

2010
FACESCAPES TRANSISTION (video), Musée du Textile à Labastide Rouairoux, France

2010
FACESCAPES, Musée du Point de Vue, Brussels, Belguim

2009
FACESCAPES, Theatre de Castres, Castres, France 

2008
FACESCAPES, Museu de Traje, Lisbon, Portugal

FACESCAPES dates from 2006-8.

I feel more than ever it is pertinent.

In FACESCAPES, I reveal the commonality of the human condition, a way of looking at the mileage of the human clock. FACESCAPES offers a new way of defining ourselves, a way for us to look at our commonality: the basic bottom-line needs that ultimately define us, beyond our ancestry, religion, language, history, customs or institutions, to understand ourselves beyond Nationalism. Today with Nationalism taking an isolationist point of view, it seems essential to remind ourselves we are all one. Our strengths are multiplied by this, not by isolating us from each other.

With FACESCAPES, I try to follow a humanist tradition of getting in close on the subject, creating landscapes of faces, faces as a field, revealing contours and valleys like an aerial view of any terrain. An aerial view of our humanity.

We are all one race born from the same material.

The poet Saadi Shirazi expressed it perfectly in the 13th century: “The children of Adam are limbs to each other, having been created of one essence.”

We define ourselves by our differences more often than not, but what if we were to define ourselves by what we have in common? There is a real message of peace: we are all ‘us’!

Regardless of our apparent differences, we are all the same.

So far, this project has taken me to a village in China, one in Australia, and the village of Lempaut in France.

PRESS: Press https://vimeo.com/26668638

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Facescapes flipbook:

2007
FACESCAPES, Alliance Francaise, Sydney, Australia

2007
PLATESCAPES – Way of Arts, Lisbon, Portugal

Platescapes is a diary of the celebration of life and time spent around a table, conversations inspired by food, and friendships.

This series developed into a book is an extension of the exhibition. The book, like the exhibition, celebrates meals eaten and the friendships formed around food and eating. It is an anti-conventional diary of food and recipes and occasions.

At the heart of this book lies the sheer joy and consolation in the transient, ephemeral nature of coming together to enjoy a meal.
© Ruth MacPherson (artist & curator), 2020

Drawing upon ten years, from 1985 to 1995, Piel presents photographs and transcribed audio recordings from PLATESCAPES. For the exhibition, we connected the audio that corresponded to each image.

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2003
ENCOUNTERS, Staley Wise Gallery, New York, USA
www.staleywise.com/exhibitions/denis-piel/works?view=slider#29

1986
Donna Karan, International Centre of Photography at Bergdorf Goodman. New York, USA

1982
A Quiet Obsession, Staley Wise Gallery, New York, USA

GROUP EXHIBITIONS
2018 Portraits of Artists. Staley Wise Gallery, New York. USA.
2012 The Nude Interpreted. Staley Wise Gallery, New York. USA.
2010 FOCUS MODE, Musée du Textile à Labastide Rouairoux, France with the photographer, Frank Horvat.
2007 Fashion Photography, The Museum of Fine Art, Boston, USA.
1994 Evolution / Revolution Nine Decades of Fashion Photography, Touring Exhibition – including Japan.
1989 Images of Desire, Moore College of Art, Philadelphia, USA


1989 Portrayals of Recent Advertising Photography, International Museum of Photography. Rochester, New York, USA
1988 The Art of Persuasion – A History of Advertising Photography, International Center of Photography, New York. The USA.
1987 The Stars of Photography, The Cartier Foundation. Paris, France

1986 Shots of Style in Photography, Victoria and Albert Museum, London, UK

1986 Seven Decades of Style in Photography, BMW Galleries, New York, USA
1986 The Fashionable Image, The Mint Museum, North Carolina, USA
1985 Photographs of Models de Notre Temps, Cannon, Paris, France.
1985 Denis Piel, Fotogalleriet, Oslo, Norway.
1984 Summer Lights, Staley Wise Gallery, New York, USA.
1982 The Nude by Fashion Photographers, Staley Wise, New York, USA
1982 Men of Style, Staley Wise Gallery, New York, USA

Work has also appeared in exhibitions at Furman Gallery, Walter Reade Theater, Mark Morris: Portraits, Lincoln Center International Center of Photography, International Festival of Photography Houston. Platinum Plus, Sante Fe, New Mexico, Musei Capitolini in Rome” Valentino”. Thirty Years of Magic Images 1960-1990″, Fashion Institute of Technology, Goldie Paley Gallery, International Center of Photography, The Nikon House, Paris.